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West with the Night, by Beryl Markham
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2010 Reprint of 1942 First Edition. Markham is often described as "the first person" to fly the Atlantic east to west in a solo non-stop flight, though most now dispute this claim. When Markham decided to take on the Atlantic crossing, no pilot had yet flown non-stop from Europe to New York, and no woman had made the westward flight solo, though several had died trying. Markham hoped to claim both records. On September 4, 1936, she took off from Abingdon, England. After a 20-hour flight she crash-landed at Baleine Cove on Cape Breton Island, Nova Scotia. In spite of falling short of her goal, Markham had become the first woman to cross the Atlantic east-to-west solo, and the first person to make it from England to North America non-stop. She was celebrated as an aviation pioneer. Markham chronicled her many adventures in her memoir, West with the Night, published in 1942. Despite strong reviews in the press, the book sold modestly, and then quickly went out of print. After living for many years in the United States, Markham moved back to Kenya in 1952, becoming for a time the most successful horse trainer in the country.
- Sales Rank: #96175 in Books
- Brand: Brand: Martino Fine Books
- Published on: 2010-08-05
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .69" w x 5.98" l, .99 pounds
- Binding: Paperback
- 306 pages
- Used Book in Good Condition
Amazon.com Review
One of the most beautifully crafted books I have ever read, with some of the most poetic prose passages I could imagine, such as the following, resonating with a stately and timeless quality so absent in our modern life: There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt. There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo. Born in England in 1902, Markham was taken by her father to East Africa in 1906. She spent her childhood playing with native Maruni children and apprenticing with her father as a trainer and breeder of racehorses. In the 1930s, she became an African bush pilot, and in September 1936, became the first person to fly solo across the Atlantic from east to west.
From Library Journal
Markham's West with the Night was originally published in the early 1940s and disappeared, only to be rediscovered and reprinted in the 1980s when it became a smash hit. This latest incarnation is a lavishly illustrated edition. Though Markham is known for setting an aviation record for a solo flight across the Atlantic from East to West-hence the title-she was also a bush pilot in Africa, sharing adventures with Blor Blixen and Denys Finch-Hatton of Out of Africa fame. Hemingway, who met Markham during his safari days, dubbed the book "bloody wonderful."
Copyright 1994 Reed Business Information, Inc.
Review
“Did you read Beryl Markham's book, West with the Night? I knew her fairly well in Africa and never would have suspected that she could and would put pen to paper except to write in her flyer's log book. As it is, she has written so well, and marvelously well, that I was completely ashamed of myself as a writer. I felt that I was simply a carpenter with words, picking up whatever was furnished on the job and nailing them together and sometimes making an okay pig pen. But [she] can write rings around all of us who consider ourselves writers. The only parts of it that I know about personally, on account of having been there at the time and heard the other people's stories, are absolutely true . . . I wish you would get it and read it because it is really a bloody wonderful book.” ―Ernest Hemingway
“West with the Night is the sort of book that makes you think human beings can do anything . . . When she was a mere child, she was clawed by a lion. This should have been enough to make anybody timid for life, but not Beryl . . . A jewel of taut writing and thrilling reading . . . The girl can write.” ―John Chamberlain, The New York Times
Most helpful customer reviews
255 of 266 people found the following review helpful.
The Divided Heart
By Jena Ball
No less a writer than Ernest Hemingway said about West with the Night, "As it is she has written so well, and marvelously well, that I was completely ashamed of myself as a writer. I felt that I was simply a carpenter with words, picking up whatever was furnished on the job and nailing them together and sometimes making an okay pigpen. But she can write rings around all of us who consider ourselves as writers." Coming from an author who was renowned for his ego and lack of respect for other writers, this is high praise indeed, and West with the Night deserves it.
The story opens with the author being called in the middle of the night to deliver a tank of oxygen to a dying man. The reason she has been called is because her business is flying a small bi-plane through the wilds of Africa on delivery errands such as these. The flight and subsequent visit with the dying man and his doctor are used to introduce us to Africa - the rich black nights, the stories of her native peoples, the harsh reminder with the appearance of a jackal that "...in Africa there is never any waste."
In this first section we also begin to know and wonder about the author, a native of Britain who was transplanted to African soil at the age of 2 and raised by her father on his farm at Njoro. There her primary playmates were the children of the Nandi Murani tribe and her principle schoolroom the African landscape itself. As Markham puts it, "Africa was the breath and life of my childhood. It is still the host of all my darkest fears, the cradle of mysteries always intriguing, but never wholly solved. It is the remembrance of sunlight and green hills, cool water and the yellow warmth of bright mornings. It is as ruthless as any sea, more uncompromising than its own deserts. It is without temperance in its harshness or in its favors. It yields nothing, offering much to men of all races."
It is Markham's misfortune, but also her gift, that she could never be fully assimilated by the native people and the landscape. Her father insisted on sending her to school, relatives and friends did their best to expose her to European culture, and in the end Africa itself conspired to force her out of the fold and into the larger world. The end result is a woman who walks a fine and complex line within herself between two radically different perceptions of the world.
Although Markham's story is remarkable based on facts alone - taking us from her childhood haunts to her historic flight across the Atlantic Ocean - it is the elegance and depth of the writing that sets this book apart. When she talks about the horses she and her father bred and raised, for example, it's as if she is stepping into the animals' skins. When she discusses her hunt for a fellow pilot, lost in the bush, it is with total absorption in the moment. This is the kind of book that can make you forget you are reading a book, drawing you into the subtleties of life as Markham knew it - engaging all the senses and ultimately your heart as well.
68 of 68 people found the following review helpful.
Classic re-read
By Constant Reader
This book comes with a built-in audience...women, pilots, lovers of Africa, loners...and, above all, those who love the English language and how descriptive it can be.
This is NOT a memoir; more a series of vignettes that Markham put together from her memory which she announces from the beginning that is extremely hard to recover accurately. Reprinted when she was in her 80s, it became a best seller. The original printing was received well, but not nearly so well as when she was rediscovered. It didn't help that many believe she was not the "real" author; she never wrote anything else that came close to the beautiful prose exhibited here.
Praised by Hemingway, who evidently envied her writing skills, fame faded away from this woman whose personality was forbidding (except for her lovers, one presumes) and enigmatic. Not one word about her somewhat unconventional life is present in this volume, but her deep and abiding love for Africa is evident throughout. Worth reading for its use of language and evocative images, don't look for her to reveal the private details of a life that must have been fascinating.
103 of 108 people found the following review helpful.
Absolutly spellbinding--it is a plane ride to another world
By A Customer
I visited Kenya last year and saw this book all over the shelves, and I picked it up. Little did I know, I was picking up one of the best written and most evocative books of all time. I was swept away immediatly by her involving narrative and descriptions. And let me tell you, the descriptions capture the Kenyan landscape and people remarkably well. It is just as wonderful and mysterious as Markham writes. This book transported me to the dazzling age of the 1920's and 30's in Kenya--which is full of fascinating trailblazers. I read a lot of the novel outloud, and her thoughts seemed to become my thoughts. Her anecdotes and experiences are so poignant that they seem to shoot me right through the heart. I want to reread this novel again and again, it is wonderous. Hemingway was right when he said " it is a bloody wonderful book." If you like Markham, you should read Isak Dineson's classic Out of Africa. However, Markham does more soul-searching and delving into herself than Dineson does. You'll recognize some familiar charactars as well. Both are true stories!
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