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Graveyard Clay: Cré na Cille (The Margellos World Republic of Letters), by Máirtín Ó Cadhain
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A brilliant new translation of Ó Cadhain’s modern Irish literature masterpiece, meant to spark debate and comparison with Alan Titley's Dirty Dust, now with bonus materials on its history, reception, interpretations, adaptations, and more
In critical opinion and popular polls, Máirtín Ó Cadhain’s Graveyard Clay is invariably ranked the most important prose work in modern Irish. This bold new translation of his radically original Cré na Cille is the shared project of two fluent speakers of the Irish of Ó Cadhain’s native region, Liam Mac Con Iomaire and Tim Robinson. They have achieved a lofty goal: to convey Ó Cadhain’s meaning accurately and to meet his towering literary standards.
Graveyard Clay is a novel of black humor, reminiscent of the work of Synge and Beckett. The story unfolds entirely in dialogue as the newly dead arrive in the graveyard, bringing news of recent local happenings to those already confined in their coffins. Avalanches of gossip, backbiting, flirting, feuds, and scandal-mongering ensue, while the absurdity of human nature becomes ever clearer. This edition of Ó Cadhain’s masterpiece is enriched with footnotes, bibliography, publication and reception history, and other materials that invite further study and deeper enjoyment of his most engaging and challenging work.
- Sales Rank: #105699 in Books
- Published on: 2016-03-17
- Original language: English
- Number of items: 1
- Dimensions: 7.75" h x 1.00" w x 5.00" l, .0 pounds
- Binding: Hardcover
- 368 pages
Review
“Corrosively satirical and darkly comic. . . . A tour de force of a gabfest. . . . Those who wish to get as close to the original as possible will undoubtedly favor Graveyard Clay.”—Mark Harman, Los Angeles Review of Books (Mark Harman Los Angeles Review of Books)
“The bitingly sarcastic, and hilarious, drumbeat of dialogue . . . is counterpointed by lyrical sections . . . [A] great book.”—Frank Freeman, University Bookman (Frank Freeman University Bookman)
“[This] translation . . . is remarkably elegant.”—William Brennan, New Yorker (William Brennan New Yorker)
“If Graveyard Clay is a masterfully faithful version of its original, it is also a rollicking recreation of a comic classic and a damn good read… O Cadhain has been nobly served by his translators”—Philip O’Leary, Dublin Review of Books (Philip O'Leary Dublin Review of Books 2016-04-06)
“O Cadhain’s linguistic tour de force has been very well served in this meticulous translation. It will be deeply satisfying for readers familiar with the original and will be of huge value to those struggling linguistically to access it… an invaluable addition to O Cadhain scholarship… like the best of translation, we can expect it to stimulate an ongoing dialogue with the original and to ensure the place of Cre na Cille in the wider multilingual field of comparative literary studies.”—Mairin Nic Eoin, Irish Times (Mairin Nic Eoin Irish Times 2016-04-09)
“Wonderfully capture the surrealism and claustrophobia and jet-black humour of the original.”—Robert McMillen, Irish News (Robert McMillen Irish News 2016-04-25)
“A cause for celebration”—Jan Gardner, Boston Globe (Jan Gardner Boston Globe)
“Whatever their differences in tempo or phraseology, each of the current versions of O Cadhain’s most famous book is gloriously attuned to the energy, copiousness, invective and ribaldry of the original Cre na Cille.”—Patricia Craig, TLS (Patricia Craig TLS 2016-08-19)
About the Author
Máirtín Ó Cadhain (1906–70) is widely acknowledged as one of the most significant writers in the Irish language and a giant among twentieth-century authors. Liam Mac Con Iomaire is a lecturer, broadcaster, translator, and biographer. He lives in Dublin, Ireland. Tim Robinson is a writer, artist, and cartographer. He lives in Roundstone, Ireland.
Most helpful customer reviews
38 of 40 people found the following review helpful.
Eavesdropping on the Dead
By E Vikander
“I wonder am I buried in the Pound Plot or the Fifteen-Shilling Plot? Or did the devil possess them to dump me in the Half-Guinea Plot, after all my warnings?,” thus begins Graveyard Clay a refreshingly cheeky novel brimming with piss and vinegar. Caitriona Phaidin has died and gone into the graveyard clay from which she gossips, ruminates, and generally bitches the day away with her neighbors. The newly buried brings news, which spurs more rounds of devilishly catty banter. Woe to those without ready gossip on their lips. Reading this book is like eavesdropping, with its multiple—sometimes overlapping, and at times one-sided—conversations buzzing about. Even though each voice is unique, the story can be hard to follow. I greatly enjoyed this lovely dose of Irish vernacular. Reading this book makes me want to acquire more than one plot of my eternal real estate; just in case …
0 of 0 people found the following review helpful.
A Challenging Read
By Brenda S. Sutton
The best modern novel written originally in Irish, the book by which all other Irish writers measure their writing. Idiomatic, funny, interesting...and best of all - as Gaeilge.
0 of 1 people found the following review helpful.
Five Stars
By Dolores Van Bourgondien
Thank You
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